Almost called this post 'Jess Koons', which would have been appropriate as i went to the private view (which opened the show last night) with Jess. and THANK GOD i did, rather than going under my own steam with my paltry press invite, as the 'plebs' queue to get in was about 50 people long, and by the time i came out the queue to get into the park (BEFORE having to queue to get into the exhibition) would have been round the block - if The Serpentine was indeed on a block. anyway, with Jess, who has recently become a Future Contemporary of The Serpentine, and who is getting married in the summer pavilion there in August, we avoided the hoi polloi waiting thing entirely and went in the back door, which made for a very 007 stealth entrance. LOVED that. and i rather loved Koons' ironic celebration of tack, too. whoop whoop to the insubstantial, pop culture, the banal, the shallow, the naff. except it isn't entirely that, obv, as his sculptures aren't the actual things he's 'celebrating' at all, which obviously makes it all very... well, very. this time, his 'inflatables' (not inflatable at all, rather made from aluminium to look like plastic inflatables) are poolside blow ups - dog rubber rings and lobster lilos (above) doing rather jaunty things like being suspended from the ceiling and holding chairs, or supporting a whole forest of chopped wood. That so much work has gone into re-creating a plastic toy that costs about £4.50 down Asda, making it from something of substance, and thus into art, art that attempts to comment on our value judgements, aesthetic sensibilities, and materialism seems particularly interesting, somehow, given the amount of 'real' plastic faces wandering around the exhibition amongst these pieces. literally hundreds of plastic surgery freaks whose smooth faces were completely betrayed by their wrinkly legs. People = the art, i thought - shiny, plastic people who were made to look young and carefree - wrinkleless, like time has stood still and experience hasn't taken its toll. sort of walking, superficial works of art. probably worth less than a Koons, though. Koons, BTW, brought his kids along to the show. They were dressed like Malcolm McDowell in A Clockwork Orange in monochrome suits and bowler hats. Odd. Very odd.
PS. spotted: Stella McCartney sporting a v cool gold jacket with her husband Alasdhair Willis (such a dish).
Jeff Koons is on until 13 September at The Serpentine Gallery, London.
Image: Jeff Koons Acrobat 2003–09
Polychromed aluminium, galvanised steel, wood and straw
228.9 x 148 x 64.8 cm
Bill Bell Collection
© 2009 Jeff Koons
how very nice to have you back x
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