The John Stezaker exhibition at the Whitechapel Gallery is a complete joy to wander round. You can absorb the ideas and aesthetics, and push them round your mind marinating on them without wrenching your brain into a achingly high gear (nice on a Sunday afternoon) yet still feel nudgingly challenged and provoked.
Most pictures are minimalist collages that take images of glamorous men and women, some movie stars, some in fact actual film stills, and montage them, often ever-so-slightly altering them, but to great effect. A beauty becomes a curious monster with eyes fanned out (very bottom); two faces are joined with only one perfect meeting place (below); silhouettes obscure an image but instead of a black shadow, the silhouettes is a second face that fits into the first one like a puzzle with the wrong picture. My favourite images were the portraits with a wide square cut out. Some, like the above, give an almost surreal telescopic perspective into the mind of the subject - a picture perfect waterfall or a tunnel into the vacant distance. Others leave the square blank, a Tabula Rasa or blank slate where the viewer can project their formulation of the subject's thoughts or what might be happening in a scene or what a person's eyes might look like and signify, into the gaping hole that demands to be filled.
John Stezaker is on at the Whitechapel until March 18th.
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