Gah, urrgh, bleh - was pretty much my reaction to this bit of utterly pointless CGI goop, otherwise known as The Lovely Bones, (out Feb). it was so bad i didn't even cry - despite it being about a young girl who is murdered by a local creep (a toothy, comb-over, cardigan wearing, NHS bespectacled Stanley Tucci - cliche? Nooooo) and watches over her family from limbo (that being a weird gazebo in a cornfield with her strange little Pocahontas friend). Her voiceovers as she sees her family break down and her killer seemingly get away with it are constipatingly cringeworthy. Mark Wahlberg as her scale-model obsessive father is woefully miscast (surprise?!) and Rachel Weisz is criminally underused. Peter Jackson goes totally CGI crazy, which is indescribably distracting and completely pointless. One measly redeeming feature for me was Susan Sarandon as Suzy Salmon's (the murdered girl, played by Saoirse Ronan) hard drinking, chain smoking, 1960s coiffed and kohled grandmother: totally rocking (not quite sure what it contributed to the plot though). This is a film devoid of nuance or subtlety (which i gather were the key things about the emotionally wrought book by Alice Sebold). Gah, urgh, bleh.
Wednesday 23 December 2009
The Lovely Bones
Gah, urrgh, bleh - was pretty much my reaction to this bit of utterly pointless CGI goop, otherwise known as The Lovely Bones, (out Feb). it was so bad i didn't even cry - despite it being about a young girl who is murdered by a local creep (a toothy, comb-over, cardigan wearing, NHS bespectacled Stanley Tucci - cliche? Nooooo) and watches over her family from limbo (that being a weird gazebo in a cornfield with her strange little Pocahontas friend). Her voiceovers as she sees her family break down and her killer seemingly get away with it are constipatingly cringeworthy. Mark Wahlberg as her scale-model obsessive father is woefully miscast (surprise?!) and Rachel Weisz is criminally underused. Peter Jackson goes totally CGI crazy, which is indescribably distracting and completely pointless. One measly redeeming feature for me was Susan Sarandon as Suzy Salmon's (the murdered girl, played by Saoirse Ronan) hard drinking, chain smoking, 1960s coiffed and kohled grandmother: totally rocking (not quite sure what it contributed to the plot though). This is a film devoid of nuance or subtlety (which i gather were the key things about the emotionally wrought book by Alice Sebold). Gah, urgh, bleh.
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